Well, to give a little background information first... Back in the 1950's, our dad was a fine arts student at the NY State College of Ceramics at Alfred University (graduated in 1953). During his time there he designed, modeled, molded, and cast some salt and pepper shakers. We used a set on the table while we were growing up.
After Dad passed, my younger brother Rick decided he would like to have the shakers replicated for all 6 of us siblings. I gave him the shrinkage rate of the black porcelain I use and he worked to create an up-sized 3-D printed model. It was then sent to someone to make a mold and he brought the mold to me in October.
Once I finished preparing for Mistletoe Market, I thoroughly cleaned my work area so the buff clay would not have any chance of contaminating the black. I then started casting. In all, I cast 8 sets, to be able to get 6 good sets.
Unfortunately, my kiln was not firing hot enough to be able to get the true black finish on the shakers. First, I contacted Juliet Bravo studio in Seneca, but they were unable to assist with the firing at that time. I then was referred to Magpie Arts LLC in Clemson and made plans to do the glaze firing in her soon to be delivered kiln. The delivery got pushed back, and then she was dealing with a faulty breaker.
FINALLY, firing day arrived and I dropped off the pieces to Kimberly. Then, I patiently waited for the firing and cooling to complete. (Insert the Jeopardy theme here.)
Success! They fired a little hotter than I normally fire, but her kiln is computer controlled, while mine uses a cone sitter. Either way, I was/am very pleased with the results.
Rick had me send him copies of one of Dad's signatures, as well as one of mine. He then laser engraved them onto the lids of the wood boxes he purchased. Silicone stoppers were added and they were nestled into wood shavings inside the box.
The glazes I used are definitely not the ones Dad used long ago. His were more muted and covered the entire surface except the feet. We decided that I would use speckled glazes (Dad's were also speckled) and only glaze the lower portion so that the black porcelain would show. This brought Dad's design a new life with my spin on it.
The bottoms are signed with both Dad's and my initials and the year.
I will make more.
Now that all family members received theirs. I am able to "go public" with the project..
Making these brought back so many memories of my youth. It also is a testament to how our family remains close-knit.
As 2024 comes to an end, and 2025 is about to begin, I wish all of you the very best life has to offer. May any stumbling blocks become stepping stones, and may you face life with a positive outlook, no matter the circumstances.
Love to all.
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